A great deal has been documented about the act of running, a restorative movement with capacity for therapeutic unburdening. In the sphere of competitive games, yet, the pressure of contests can cause individuals to overlook of this ultimate goal. Transposed from the eponymous manga, Kenji Iwaisawa’s enthralling anime transcends awards and honors to examine the inner motivation that spurs an sports star’s dream.
100 Meters follows Togashi and Komiya, early-life buddies whose career trajectories diverge when they go pro. Once the quickest elementary student in Japan, Togashi helps the less self-assured Komiya with the basics. As the duo move through their adolescence and adulthood, Komiya consistently improves up the standings of elite competitors, while Togashi is mired in a rut; both struggle with worries and uncertainties. Spanning more than 15 years, the story documents their psychological barriers, laying bare the challenges of an sports professional’s journey, caught in a loop of public scrutiny, performance expectations and sponsorship demands.
Possibly it’s because of the original work, but the film’s response to these complicated problems is rather superficial; time and time again, a character’s inner doubts simply disappear after a lengthy conversation with a fellow athlete or mentor. But what 100 Meters falls short in plot refinement and rhythm, it redeems itself with in stunning imagery. Using live-action tracing, in which cartooning is superimposed on filmed sequences, the feature produces remarkably precise dash moments. The bodily strain of a sprint is clearly shown, and the struggle and triumph of rivalry are etched on the athletes’ physiques.
One notably pivotal race concludes in the downpour, with cascades of monochrome brushwork that overwhelm the frame. More than any dialogue, these flourishes of artistic excellence embody the almost spiritual high the movie aims to inspire.
The Sprint Film is released in Britain from November 16.
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